Listen to the blissful fanmix put together by
, I can't help but be struck rather forcefully, as if by a quite sizable sledgehammer, but thankfully without the bruising and what-have-you, by the song "What is This Thing Called Love". It is a canon song, which Bertie offers to perform for Jeeves after they have 'broken up' over the banjolele. I had raised an eyebrow over this, and that eyebrow went a whole eighth of an inch higher after reading the lyrics. Having now heard the song, my expression has now escalated to Wooster levels. It is not bright, or cheery. It has not a bouncey beat. It is....melancholy, even. It is just the sort of song Bertie would not care for.
Nevermind Bertie wanting to seranade Jeeves with a love song. The fact that it is not Bertram's usual style of music really drives the point home. Is ever-cheery Wooster so put out that this song fits his mood? Or is he deliberately choosing a song he thinks Jeeves might enjoy, trying to meet him halfway?
Either way, it's all getting a bit ridiculous. As Giles said to Buffy, "I think the subtext is rapidly becoming....text."
I don't even NEED my rainbow-tinted lenses on for this. It's all specially printed for my special viewing needs already.
This is not the only instance of this. There is the well-known ending to "The Tie That Binds". There is the throw-away comment from Bingo that "Jeeves is the brains in the family, isn't he?". And so many others. I invite you to post your favorites.
Anyway, the point I am meandering to is: Was dear old Plum doing this on purpose?
, I can't help but be struck rather forcefully, as if by a quite sizable sledgehammer, but thankfully without the bruising and what-have-you, by the song "What is This Thing Called Love". It is a canon song, which Bertie offers to perform for Jeeves after they have 'broken up' over the banjolele. I had raised an eyebrow over this, and that eyebrow went a whole eighth of an inch higher after reading the lyrics. Having now heard the song, my expression has now escalated to Wooster levels. It is not bright, or cheery. It has not a bouncey beat. It is....melancholy, even. It is just the sort of song Bertie would not care for.
Nevermind Bertie wanting to seranade Jeeves with a love song. The fact that it is not Bertram's usual style of music really drives the point home. Is ever-cheery Wooster so put out that this song fits his mood? Or is he deliberately choosing a song he thinks Jeeves might enjoy, trying to meet him halfway?
Either way, it's all getting a bit ridiculous. As Giles said to Buffy, "I think the subtext is rapidly becoming....text."
I don't even NEED my rainbow-tinted lenses on for this. It's all specially printed for my special viewing needs already.
This is not the only instance of this. There is the well-known ending to "The Tie That Binds". There is the throw-away comment from Bingo that "Jeeves is the brains in the family, isn't he?". And so many others. I invite you to post your favorites.
Anyway, the point I am meandering to is: Was dear old Plum doing this on purpose?
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Date: 2009-03-22 11:43 pm (UTC)no subject
Date: 2009-03-23 12:00 am (UTC)(no subject)
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Date: 2009-03-24 06:56 am (UTC)(Now, how much of it was denial is an argument for another day...)
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Date: 2009-03-22 11:49 pm (UTC)no subject
Date: 2009-03-22 11:54 pm (UTC)my favorite bit is when bertie is almost run over in the street and jeeves saves him. it's a very short line.
"Jeeves!" I ejaculated.
short, like i said. but he uses it quite often in that book, and i can't read it without dirty thoughts. ;)
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Date: 2009-03-22 11:57 pm (UTC)(no subject)
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Date: 2009-03-23 12:01 am (UTC)(no subject)
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Date: 2009-03-23 12:08 am (UTC)Madeline: Bertie, have you gone straight?
I gave a laugh. One of my gay, debonair ones.
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Date: 2009-03-23 01:02 am (UTC)“Mingled with the ecstasy which the sight of him aroused in my bosom was a certain surprise that he should be acting as cup-bearer…‘Hullo, Jeeves!’ I ejaculated.”
A rather interesting choice of words. XD
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Date: 2009-03-23 03:18 am (UTC)(no subject)
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Date: 2009-03-23 07:13 pm (UTC)(no subject)
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Date: 2009-03-23 12:00 am (UTC)no subject
Date: 2009-03-23 12:35 am (UTC)no subject
Date: 2009-03-23 07:57 am (UTC)step
step
step
step
...
Where is it going?
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Date: 2009-03-23 01:07 am (UTC)One of my favourites is in Joy in the Morning, when they have to part after the cottage burns down, and Bertie refers to Jeeves as a gazelle. Jeeves quotes part of the Thomas Moore poem it came from (Lalla Rookh), which sounds slashy enough, but when you read the rest of it it’s even more so (http://www.poemhunter.com/poem/lalla-rookh/). Then there’s the Shakespeare (http://www.online-literature.com/shakespeare/merchant/20/) passage (http://www.sparknotes.com/shakespeare/merchant/section10.rhtml) Jeeves quotes later (“Look how the floor of heaven is thick inlaid with patines of bright gold…”).
Bertie compares Jeeves to a wife in “Jeeves and the Unbidden Guest”. And my new favourite, from the end of “Leave it to Jeeves” (http://wodehouse.ru/texts/pg/23_My_Man_Jeeves.txt) : “Of course, I know it’s as bad as being henpecked, but then Jeeves is always right.”
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Date: 2009-03-23 09:30 pm (UTC):(
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Date: 2009-03-23 01:14 am (UTC)oops, almost forgot
Date: 2009-03-23 01:15 am (UTC)(no subject)
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Date: 2009-03-23 03:17 pm (UTC)no subject
Date: 2009-03-24 02:46 am (UTC)no subject
Date: 2009-03-23 09:28 pm (UTC)no subject
Date: 2009-03-23 10:25 pm (UTC)no subject
Date: 2009-03-24 07:06 am (UTC)I think, perhaps, the best grounding for an answer must come from a good deal of research. Having only done a smattering, I have a vague theory on this topic, but the best place to start, I think, is with Robert McCrum's biography. And then, as an immediate and balancing follow-up, this review of it: http://www.exile.ru/articles/detail.php?ARTICLE_ID=12841&IBLOCK_ID=35&PAGE=1
My personal take is that some awareness of what was going on persisted in Wodehouse's subconscious, but that it must certainly be viewed in light of the time period, during which homosexuality was allowable so long as it was (1) a gag or (2) being condemned. From Wodehouse's angle, I think the whole Wooster-Jeeves marriage was very much so a reoccurring gag, and thus, completely acceptable material. It is the emotional 'ecstasy' and highs and lows that J. can put B. through which speak of a deeper attachment that Wodehouse likely couldn't admit even to himself.
One of McCrum's most interesting arguments, in my opinion, is the sort of 'bromance' (if you will forgive the term) that Wodehouse was accustomed to as part of his schooling and distance from his parents. You see instances of extreme affection that parallel Bertie/Jeeves in his own life, sometimes to the point of personal embarrassment (cf the heavily edited letters between Wodehouse and Bill Townend that were far too 'intimate' for public consumption).
I tend to turn into a big windbag on this subject... perhaps not best suited for a single comment. I keep meaning to turn it all into one big post for open discussion. Perhaps someday!
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Date: 2009-03-24 04:01 pm (UTC)1. I suspect that the whole issue of homosexuality was much less discussed back then, and therefore a chap would be a lot less worried about appearing 'gay'. Today, most heterosexual guys have a deep-seated awareness of homosexuality, and know how to avoid appearing thus. At a time when it was barely talked about (at least in the kind of circles in which Bertie moved) it was probably easy to romanticise one's friendships, comparing them to Damon and Pythias, say, without fear of being judged.
2. In a society where sexuality was a lot more restrained, where women are 'tender goddesses' on pedestals and there is little if any sexual activity before marriage, perhaps there was a far greater inclination to be affectionate towards one's friends - as a sort of innocent outlet, as it were.
For some reason I feel guilty posting a comment that is of a certain length - but since it's pertinent to the question of PGW's awareness of how slashy the Bertie/Jeeves relationship is, it seems like this is the place to post it. If there is some forum etiquette that I am ignorant of, please tell me!
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Date: 2009-03-24 07:54 am (UTC)I read a lovely one recently. It's at the end of Bingo and the Little Woman. Bertie was seriously annoyed at Jeeves. 'One thing I was jolly certain of, and that was that this was where Jeeves and I parted company.' But then he looks around his flat and sees everything in its right place and feels how everything is 'so bally right'. He is softened, and then Jeeves enters and he says 'there was something about the mere look of the man-'. He attempts to at least tick Jeeves off, but can't bring himself even to do that.
What with everything being so right and there being something about the mere look of the man, I had to wonder - gosh, did he realise how gay this sounds? All in the context of the time, I suppose.
Then of course there's
I felt most awfully braced. ... I felt like one of those birds in the novels who calls off the fight with his wife in the last chapter and decides to forget and forgive. I felt I wanted to do all sorts of other things to show Jeeves that I appreciated him.
Oh yes, Bertie? What sort of things, pray?
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Date: 2009-03-24 08:55 am (UTC)I have decided that you two should collaborate and make one giant post about this very interesting subject, asap.
Thank you.
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Date: 2009-03-24 08:01 am (UTC)Does he talk to you like this when you're alone, Bertie?
Something about that really spoke to me. She knows what's going on...
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Date: 2009-03-24 09:29 pm (UTC)(no subject)
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Date: 2009-03-24 11:09 pm (UTC)From Very Good, Jeeves!:
'He looked at me. A long, strange look.
"You aren't married, are you, Bertie?"
"You know I'm not."
"I should have guessed it, anyway."'
Oh, and has anyone read Wodehouse's poem, Damion and Pythias (A Romance)? The titling is rather interesting, and apt, as it's about two boys who fall for the same woman, but decide their friendship is more important and thus neither goes for her. Launches all sorts of clues about who would win in Woman's Love v. Man's Affection for Mr. W.